A book written in his maturity stage reveals the teacher and essayist Jorge Chavez Peralta as a fine narrator of fiction.
is consensus among writers and critics that the story is the hardest genre of all. Its brevity obliges its practitioners to go straight to the point and not get lost in a tangle of events, as could happen As a novelist Juan Bosch, one of the essayists who has been most devoted to the study of narrative, "the art of the story is placed in front of a fact (subject) and refer to it resolutely."
Due to its difficulty, or despite it, the storytellers are the ones who have reflected on the techne (the trade necessary to ensure a work of art, according to the Greeks) of the short narrative. There are, in this sense, famous decalogues, most notably that of Horacio Quiroga, Augusto Monterroso and Ramón Ribeyro July. The three recommended more or less the same: conciseness and strength to reach the final. Jorge Chavez Peralta
is one of those writers who seduces the creative process as much as the narrative material. In his book Maya In house (CEA Publishers, Trujillo, 2010), specifically in one of his stories, presentation, the narrator offers a poetic story that emphasizes the need to master two things: punctuation ("It is the basic tool for the writer, as the saw for the carpenter or a tailor's scissors") and transcendence ("No misspelled work survives, but a well-written book should offer a glimpse of truth, nurturing experience ... ").
But Chavez Peralta's book is worth not only for the mandatory lessons surreptitiously slipping but mainly by the quality of the stories that compose it. His stories can be grouped into two themes: the search for esoteric knowledge and the ethical dilemmas of modern man. The former belong Sara inheritance, The revenge, Del Pai-An the other reality, and the second, The elected do, The tribute , ratios greater , Lessons in and tico presentation. In all cases, but especially in The tribute, Pai-An to the other reality and Lessons in tico, the author not only meets the demands of its own precepts, but also with the universal demands of the genre: narrative skills, steady hand, stylistic maturity, rate of persistent right tone and, especially, skills to engage the reader. In the stories mentioned, as we wanted Ribeyro, no downtime or on anything. The words have the function of telling a story and not provide morals, as a reader might mistakenly assume misinformed. The only objection I would make the order book is less and nothing dims their literary successes. It refers to the excesses committed at times the narrator in describing people, places and objects.
In Maya house contains eight stories dissimilar but connected by an original way to present the events: a boy obsessed with sex is elected by a supernatural power to compensate for the bitterness of a girl whose virginity was offered by his mother to an old, a scholar of esoteric thought travels in company a sorcerer to the edge of the universe to stop his friend perish in the void karmic, a professor agrees, for failure to defend their moral convictions, to be honored in the manner of bureaucrats, a young athlete discarded, in keeping with its principles , the comfort of military life with Vladimiro Montesinos, a reader succumbs to the delusion of a robber disguised as a taxi driver and consummate reader of literature; writer believes to be the reincarnation of Don Quixote confuses fiction with reality in the midst of fanaticism futbolero cercanos.El friends of his book Maya At home again placed in the contemporary scene of the author and added to their merits of the eminent essayist the narrator. He had already announced before Alvarado Lozano Saniel Writers La Libertad region: "Despite its lofty training, A Jorge Chavez Peralta has not been sufficiently appreciated, in part because of its original clear humanist conception of Oriental influence, in important part of his thought and by his word rotunda, away from euphemism, when things have to call them by his name. "
is consensus among writers and critics that the story is the hardest genre of all. Its brevity obliges its practitioners to go straight to the point and not get lost in a tangle of events, as could happen As a novelist Juan Bosch, one of the essayists who has been most devoted to the study of narrative, "the art of the story is placed in front of a fact (subject) and refer to it resolutely."
Due to its difficulty, or despite it, the storytellers are the ones who have reflected on the techne (the trade necessary to ensure a work of art, according to the Greeks) of the short narrative. There are, in this sense, famous decalogues, most notably that of Horacio Quiroga, Augusto Monterroso and Ramón Ribeyro July. The three recommended more or less the same: conciseness and strength to reach the final. Jorge Chavez Peralta
is one of those writers who seduces the creative process as much as the narrative material. In his book Maya In house (CEA Publishers, Trujillo, 2010), specifically in one of his stories, presentation, the narrator offers a poetic story that emphasizes the need to master two things: punctuation ("It is the basic tool for the writer, as the saw for the carpenter or a tailor's scissors") and transcendence ("No misspelled work survives, but a well-written book should offer a glimpse of truth, nurturing experience ... ").
But Chavez Peralta's book is worth not only for the mandatory lessons surreptitiously slipping but mainly by the quality of the stories that compose it. His stories can be grouped into two themes: the search for esoteric knowledge and the ethical dilemmas of modern man. The former belong Sara inheritance, The revenge, Del Pai-An the other reality, and the second, The elected do, The tribute , ratios greater , Lessons in and tico presentation. In all cases, but especially in The tribute, Pai-An to the other reality and Lessons in tico, the author not only meets the demands of its own precepts, but also with the universal demands of the genre: narrative skills, steady hand, stylistic maturity, rate of persistent right tone and, especially, skills to engage the reader. In the stories mentioned, as we wanted Ribeyro, no downtime or on anything. The words have the function of telling a story and not provide morals, as a reader might mistakenly assume misinformed. The only objection I would make the order book is less and nothing dims their literary successes. It refers to the excesses committed at times the narrator in describing people, places and objects.
In Maya house contains eight stories dissimilar but connected by an original way to present the events: a boy obsessed with sex is elected by a supernatural power to compensate for the bitterness of a girl whose virginity was offered by his mother to an old, a scholar of esoteric thought travels in company a sorcerer to the edge of the universe to stop his friend perish in the void karmic, a professor agrees, for failure to defend their moral convictions, to be honored in the manner of bureaucrats, a young athlete discarded, in keeping with its principles , the comfort of military life with Vladimiro Montesinos, a reader succumbs to the delusion of a robber disguised as a taxi driver and consummate reader of literature; writer believes to be the reincarnation of Don Quixote confuses fiction with reality in the midst of fanaticism futbolero cercanos.El friends of his book Maya At home again placed in the contemporary scene of the author and added to their merits of the eminent essayist the narrator. He had already announced before Alvarado Lozano Saniel Writers La Libertad region: "Despite its lofty training, A Jorge Chavez Peralta has not been sufficiently appreciated, in part because of its original clear humanist conception of Oriental influence, in important part of his thought and by his word rotunda, away from euphemism, when things have to call them by his name. "
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