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An excellent book by Jon Lee Anderson profiles reveals the unseen side of people like Federico García Lorca, Gabriel García Márquez, Hugo Chávez, Augusto Pinochet, and King Juan Carlos.
say that after the death of Ryszard Kapuscinski the only reporter of that caliber that's left is Jon Lee Anderson. The U.S. plays the last kind of journalists to anyone, "says Juan Villoro beyond-the art" giving bad news well. "
Anderson began his craft in Peru in 1979, in the weekly The Lima Times . Since then he has cultivated a reputation as a writer and chronic profiles. In essence, this is a fearless professional who, however, do not do unnecessary risks grace. His book The Fall of Baghdad was conceived in the fire of shrapnel. His closest friends say that when hunting dangerous places has the usual wise to reserve rooms in different hotels. Anderson fears that one of them might one day be bombed or serve as a hideout of a potential murderer.
Sportswriters tend to travel a lot, while half of his life goes on airplanes or in unlikely places. This author knows inside out half the world's geography as well as public and private life of controversial characters, many of them inaccessible to the vast majority of men of the press. Their lives have often served as a starting point of his most famous books. So it was with Che Guevara: A Revolutionary Life , whose more than seven hundred pages ammunition and unbiased portrait the life azaroza former partner and fellow Fidel Castro, another of the recurrent targets of his investigative reporting.
In dictator, demons and other chronic (Anagram, 2009), a book that recently circulated in Peru, Lee Anderson includes twelve of the best stories and profiles originally published in the weekly magazine The New Yorker . Under his lens Inquisitor parade portraits of Federico García Lorca, the king of Spain, Augusto Pinochet, Gabriel Garcia Marquez, Fidel Castro and Hugo Chavez and Cuban stories about poverty, corruption of American politics and life in the turbulent favelas of Rio de Janeiro.
The technique and procedures for writing profiles and reviews demand, says John Villoro, two basic resources: the interview and the composition of the place. I would add one more: a taste for minutiae, for the seemingly inconsequential data, and thanks to them we can form a more comprehensive and humane about the protagonists of the events. In the case of the author of The dictator, demons and other chronic has the cunning and persuasive gifts to reach the most unlikely sources, has the eye of the observer who does not miss any detail and shows a natural bias to discover objects, situations, actions and circumstances under "Minutiae, poquedades, irrelevant facts, which, if you look closely, they say much more than the rated as important.
Anderson's book is read with pleasure by all the above reasons, by the refined language that has been written and the rigor of research that establishes its relationship to historical truth. Thanks to these virtues, readers inform us, without ever taking off from her book, the last moments of Lorca, Pinochet's admiration for Mao, the diplomatic skills of King Juan Carlos, the cabal skills García Márquez , the messianic cult of Simón Bolívar Hugo Chavez and Fidel power mania Castro.
thing that strikes me about her work is the way it approaches the characters. To get at these uses of close friends, conversations off the record of rumor and simple intuition. It is, for example, a friend of Saddam Hussein's favorite doctor, Ala Bashir, in order to portray from within the fall of Baghdad, or linked to Hugo Chavez to family reunions and encounters with poor people to learn how site think and act this leftist temperamental. In all cases, the means justify the end: informar.Creo without profiles and chronicles of this great journalist would approach very limited part of the characters and major events of this time. Also founded criticism and entertaining narrative of his texts make us complicit in a present that does not hesitate to accept because of the convincing force of his speech.

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PRE-MEETING NATIONAL ARTISTS PRE-MEETING

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ARTISTS


PRE-MEETING CALL FOR ARTISTS

"summit meetings" invites all artists to participate in the Pre-National meet to be held in the Rector of National University La Plata to:
Develop proposals and targets and propose an agenda for the workshops.
constitute the Organising Committee of the Third National Conference of Artists.
Set a date and establish the seat of the Third National Conference of Artists.
Plenary Assembly to conduct a decide issues concerning the development of the company. Convened

Althabe Sofia, Adriana Bianchi, Juan Carlos Romero, Jorge Peirano

SATURDAY OCTOBER 23, 2010, from 10 am to 17 hsUNIVERSIDAD NATIONAL PLATAcalle 7 between 47 and 48 La Plata

History: www.encuentrosenlacumbresiglo21. blogspot.com Contacts: redencuentrosenlacumbre@gruposyahoo.com.ar

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minutiae from all over the place

Juan Carlos de la Fuente (Lima), poet, writer, blogger and communicator, is the author of a book where the beauty is the place that is everywhere and nowhere .
Juan Carlos de la Fuente has written extensively and published shortly, as every poet must respect to poetry. In fact, the permanent correction is often true holy grail of creation. I think that an author should take the necessary distance and be very self-critical. Nothing much gets published. Too long silences are not recommended. If a book is not published, does not exist. Part of the maturity and wisdom to give the years is to know when to shut up and, of course, when you break the silence. Although not forget that poetry can also be a silent scream.
Like most writers of this country, Juan Carlos has had to steal time to his frenzied work as editor of digital media content and a well known phone company to write a wise and contemplative poetry, where the verses are arranged as brick wall: in order, bound together very strong and sovereign owners of the space they deserve. His book Beauty is a (Carpe Diem Publishing, 2010) is a proof that his poetry is cast in the workshop of an artisan of the word.
In his second book, The boats that fired the sun , present the same items that appear in Beauty is a : the idea that life is a fragile vessel in a brief trip, landscape dominated water clarity and density of the stone and the control of the linguistic and poetic. Beauty is in place, the verbal horizons have been identified and better aesthetic achievements jump to the naked eye. Behind the expression is seen also a great reader and a keen observer of transience with flowing river of life and death.
A poem is an enclosed space where the reader comes premunity emotions over concepts. There, the pictures are worth more than the arguments, the variety of meanings rather than a unique performance and linear and what is not said rather than explicit. In other words, poetry is read by another logic, another spiritual disposition and with another human face. But for a poetry reading is helpful, the poet must master certain rules like composition (the connections that set the verses to each other), rhythm (ie, internal and external harmony of the poem), the economy of language and creative tension (concentration imaginative language), the domain of space (blanks advantage and silence) and work properly linguistic (language correction, motor and brake operator).
poems De la Fuente meet all the requirements of poetry, but shines through the expressive connotations and cleaning with images showing: "The light has become street / river / snake / And I'm stone / On what wings fly to me? / / When you fell / a word / you held "(Conversation with Alejandra). "I sail the sea as if it were outside, / and you call me, Lady of Forgetfulness / / You are the dream that will never admit it was a body / / The sea is out, the horizon in / and do not hear me: I'm a castaway on my house "(Penelope). And, especially notable for the way they become explicit silence that covers the world: "When a voice falls / is because I do not belong to anyone."
keys to read the book are two: the notion that life is a movement that leads nowhere and that beauty is not in a particular site, but it is outside and within, above and below things, in the light and dark. "This book is the beginning of a journey but it could be his final book opens and closes at the same time. Touches the strings of empty, sounds like things, I added a little fire and thrown into the ocean. And it goes by time, from place to place, trying to catch it escapes. Not only escapes she flees to the center, to refuse. Because beauty is not a place, there is one, is it all places? "Says the poet.

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56. The Apartment

This is my little Paula with Paula playmobil small.

We've done an apartment.

This box came some electronics ...

and these are some that I used or thought to use ...

Sofabed, carpet, chair backs, fried egg ...: remains of felt.

Puff: magazine paper roll.

Tele: piece of black plastic tray greengrocers.

Sink, toilet and sink: caps Lacasitos.

separate color bars: Bars ink inside the markers, dry.

Sink Base: piece of pipe.

Towel: rings, soda cans.

Shower and vases, drinking straws.

Coat: Wood and knobs, metal buttons riveters.

Kitchen and table stand: hinges discarded.

Bureau: plastic box lid. Fish

bathroom motif: hair ornament hook, he fell.

Chairs: Lacasitos piece of container.

guess

Something else to add, color on the walls, a painting .... at the request of the tenant. Oh, and the door. I have some very cool, I already teach, but very large.

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A shipwreck absurd Thinking

What happens when politicians and authorities of a "city of culture" let its book fair is terminated in the middle of absolute indifference?
few days ago, the president of the institution organizing the Feria del Libro de Trujillo (FLT), Adriana Doig Mannucci, announced that it will no longer conduct any more because ATAL lacked the money to implement it. The truth is that the premature death of a momentous event has gone largely unnoticed by private companies and government agencies linked culture, perhaps because the books do not represent anything for power, traditionally outside the knowledge and critical knowledge.
Fair had (it is unfortunate to use the past tense now) four versions and had become a benchmark for the Peruvian cultural process in the last decade. In the first three held in the plaza El Recreo, evoked the hundreds of thousands of visitors, as well as Latin American novelists and poets of the importance of Mario Vargas Llosa, Gonzalo Rojas, Laura Restrepo, Alfredo Bryce Echenique, Alonso Cueto and Carlos Monsivais . It was a cultural event, the date was made and had established links with publishers and centers of learning, impacted with great success in the media Trujillo and capital. His famous "I have witnessed this," he enthused writers and intellectuals including Chile, Mexico, Argentina, Colombia and Spain.
The idea of \u200b\u200borganizing a Fair began in 1998 between members of a book club sponsored by the former library Adriatic. While these read the most celebrated novel by Portuguese writer Jose Sarmago, television announced that the Swedish Academy had awarded the Nobel Prize. The news triggered a huge wave of optimism among the members of the Club, who decided to move forward with a fair only to afford to invite Trujillo characters as the author of Blindness . Over time, the dream became reality and utopia became daily work. While not able to bring Saramago as intended, the list of writers who came was very ambitious. For the fifth version of the FLT, the international guest was (now I can tell) the English philosopher Fernando Savater. In the secret list of expected waiting their turn Enrique Vila Matas and Milan Kundera, with whom preliminary contacts were established that were to bear fruit in subsequent years.
The ELF claimed from the beginning an investment of thousands of suns were obtained from the sale of stands and, above all, the patronage and sponsorship of public and private companies. The biggest expense is represented by the infrastructure because they do not have a fairground Trujillo was necessary to arm-appropriate for a few days, stands, halls and open environments for all events. Unfortunately, since 2008 the financial support began to dwindle until completely diluted in early 2010, despite promises and public statements of support from policy makers and entrepreneurs. Just to start the administrative machinery was required after 10 000 nuevos soles, which never could be obtained. A mea culpa of APTA is perhaps not have created the conditions for achieving financial independence and not to have strengthened ties with the few staff disinterested. In any case, nothing escape its responsibility to those who call themselves lovers and promoters of culture and Trujillo, however, leave the wrecked boat irremediablemente.Sin Fair FLT loses Trujillo that this event could be projecting the image of a modern, vibrant and connected to culture, lost local writers, who no longer have a reference for publications and presentations in his books, lost citizens who possessed a space for democratic dialogue, lost youth, who had the opportunity to see what the culture is not stationary and boring lose private and politicians, will lack both a chance to develop their "support" to the culture. In other words, without the Fair have started to get off the train of history. "This initiative will return someone with so much effort, responsibility and success by APTA? ----

Image: Taken from the magazine Letras Libres .

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Peru

What is the most accurate way to understand this puzzling and wonderful country? The answers are, of course, multiple and fallible. Think
Peru means imagine, considering carefully and reflect past, present and future of this nation to raise a point of view then that helps to understand their identity. The design
independence, the immediate destination of Peru was expressed in two opposing. For one, San Martín, who advocated a monarchical state, and secondly, Bolívar, who was in favor of the republican regime. In both cases, ever, despite the noble ideological aspirations of the two liberators, took into account the structural country, that they are now called in a tone comforting and compassionate "profound." Both San Martin and Bolivar were essentially men of action and had the Peru a very abstract idea.
then were Creoles and members of the Society of Friends of the Country, those who thought the country with the same inclusive vision than their predecessors. But it was not until the nineteenth and twentieth centuries when ideas generated more systematic and vigorous on the Peruvian reality. Intellectuals and politicians such as Manuel González Prada, José de la Riva Agüero, Víctor Andrés Belaunde and José Carlos Mariategui raised socio-political theory which aims were to interpret reality correctly. Its merit lies not only in having developed own thinking, but also have been connected with passion with the country that they had to live.
the late nineteenth century 40, migration from the countryside to the city transformed the face of the country and, therefore, posed a new challenge to thinkers, especially social scientists. They introduced the notions of "choledad" and "mestizo Peru, which were insufficient to understand the changes. In 1984, José Matos Mar said that Peru was the case a "popular overflow" of policy and institutional limits of formal Peru.
Two years later, an economist, Hernando de Soto, in a sense completed the thesis Matos Mar. His point of view, liberal, raised the notion that existed in Peru economy "informal" held by small production units are not legally registered who had created their own market economy in parallel with formal activities. The main causes of this phenomenon were the profound indifference of the state with regard to the social sectors peripherals and high bureaucratic costs to be paid by those who wanted to be "formal." In 2007, another economist, Francisco Durand, took the ideas of José Matos Mar and Hernando de Soto, adding that Peru was "broken" by horizontal cracks (rural / urban, rich / poor) and vertical gaps (formal economy, informal and criminal economy) that led to the culture of "transgression", which jeopardized the construction of an inclusive state. After
intellectuals, politicians, sociologists and economists, who have dedicated themselves to think Peru are, in some ways, marketers and management, who were accused of being naive and overly optimistic in his approach. So, Rolando Arellano, holds a number of years that the economic distance, political and social differences between rich and poor has narrowed, that Peru is not a pyramid (discriminatory), but a diamond (to some degree democratic, "in fondo hay sitio "). This has occurred due to changes in consumer habits and new cultural referents introduced in the popular imagination. According to him, are the lifestyles and parameters not racial, economic, political and social one right way to classify the current Peruvian society. Lifestyles are six: sophisticated, progressive, modern, tailored, conservative and resigned, and would be much more important than money for culture and politics. Arellano
ideas do not deny the above or fall short of those advocated by the great thinkers of the early last century, yet they represent a new way of thinking Peru. The debate is served.